2012: The Green Room
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Jon Rafman – мυ¢н нανє ι τяανєℓℓє∂ ιη τнє яєαℓмѕ σƒ gσℓ∂
30 November 2012 – 13 January 2013
In Jon Rafman's enchanting and hypnotic films incorporating virtual representations of classical, medieval and romantic landscapes, modernist themes of nostalgia and alienation, yearning and loss emerge.
JON RAFMAN THE GREEN ROOM THE COMPOSING ROOMS
Matthew Johnstone – Totally Unprofessional
12 October – 18 November 2012
Matthew Johnstone's work is concerned with trends in technoculture and reciprocity between the scientific basis of technological change and its aestheticization.
MATTHEW JOHNSTONE THE GREEN ROOM THE COMPOSING ROOMS
Rafaël Rozendaal – Popular Screen Sizes
7 September – 7 October 2012
As a reflection to our online lives and the heavy saturation of mediated content we recieve via screens Rafaël presents Popular Screen Sizes. Rafaël is interested in “fine line between something and nothing” claiming “Art freezes things, so you can pause and stare and wonder. To freeze things, simplicity is key, the simpler the better, the more isolated the more focus.”
RAFAËL ROZENDAAL THE GREEN ROOM THE COMPOSING ROOMS
Daif King – GOLD-CARD
3 August – 2 September 2012
Daif King (AKA Dave Kent, NZ, 1978) is inspired by the ‘aspirational language’ of commodity fetishism associated with personal freedom and growth from the 80's, 90's and 00's. He utilises the plethora of documented leftovers turned digital ephemera which have found new life, inhabiting populist territories
DAIF KING THE GREEN ROOM THE COMPOSING ROOMS
Anne de Vries – Trails Rising
29 June – 29 July 2012
De Vries is interested in how the world is understood through and affected by media technology: specifically how media formats influence a perception of reality and simultaneously have a physical impact on commodities within a global economy.
ANNE DE VRIES THE GREEN ROOM THE COMPOSING ROOMS
